Media

Three non-governmental organisations in Cambodia dealing with social and psychological issues have received $20,000 each from the “Art of Sharing” exhibition by two prominent Cambodian women artists, Chea Serey, who is also the director general of the National Bank of Cambodia and Adana Mam-Legros.

The three beneficiary organisations chosen were HelpAge Cambodia, TPO Cambodia and Improving Cambodia’s Society through Skillful Parenting (ICS-IP), which all benefited from the exhibition last January conducted at Sosoro Museum.

Serey said they were overwhelmed with the support received for the art exhibition resulting in its success.

“We initiated this exhibition for the benefit of society and to inspire a sense of solidarity. I can say that we have achieved the goal of both to raise funds for the chosen organisations and share a positive message about the continuity of hope and solidarity in this difficult time,” she said.

According to her, the organisations will continue to receive funds until 2023 from the upcoming activities they are planning to do.

Serey thanked all of those who came to visit the exhibition, either directly or on social media, especially those who bought paintings or souvenirs or donated money showing support for the activity.

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Three generations of five strong women have come together to celebrate International Women’s Day through a week-long series of digital-based campaigns to promote women’s rights amid the COVID-19 outbreak in the Kingdom.
 

Adana Mam-Legros, Kaliane Tea, Lomorpich Rithy, Laura Mam, and Nary Ung started their digital campaign on Monday and it is scheduled to go on until March 15.

The campaign includes a music video and profile series for the song ’‘Just like you’’ released by Baramey Production Company, featuring inspiring stories of women from three different generations and a series of coffee talks driven by Generation C Cambodia and Women in the City.

Mam is a singer-songwriter of original music in Khmer merged into Western styles of music while Rithy (Yoki) is a former producer/director at the BBC Media Action and the founder of PlerngKob (“Campfire” in English), a dynamic young group of individuals passionate about the arts and film.

Legros, a French-Cambodian artist, activist and co-founder and resident of Generation C Cambodia, said with the year hit by the COVID-19 pandemic, there is a need for global resiliency and to stand-up for solidarity.

“This difficult time has forged a new world for us to live in together with complementarity. Celebrating International Women’s Day is for women and men to take on responsibilities together in our community. Reaffirming that we belong to a single humanity,” she said.

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Born into a family of political activists, including her mother the famed women’s rights activist Somaly Mam, French-Cambodian artist Adana Mam Legros has carried on her family’s traditions by linking her art exhibitions with her political activism. 

Mam Legros has continued her Generation C Cambodia cultural movement through her art, from her Complementarity exhibition at Rosewood Phnom Penh last October to her capsule exhibition Origins & Becoming at The Lounge at Plantation Urban Resort & Spa which opened earlier this month and runs until April 6.

According to the 24-year-old artist, Generation C Cambodia is a socially driven artistic movement encouraging new ways of thinking while placing a greater emphasis on collaboration, compassion and social responsibility. Based on the French “convivialist” movement, it promotes solidarity with others and social change. 

“Generation C Cambodia uses art to convey psycho-social messages. Every event I’ve organised has a purpose and topics related to psychology, society, the environment and art. Since the Complementarity exhibition at Rosewood, I’ve been launching art events, conferences, and charity events,” Mam Legros tells The Post.

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 Anatta & Danceflix: the aesthetic of dance and life

 19 January 2021

Anatta highlights important values such as solidarity, compassion, respect and responsibility inspired by past philosophies, namely Buddhist teachings and humanism.

During her speech in the middle of the show, Legros said: “I have a dream that we as the human species will be able to act positively on our destiny and understand our responsibility towards the world. I am not the only one with this dream. I am sure thousands and millions also do, but it is now that we have to understand to act and to adapt as part of the young generation to be part of this transformation, to redefine our mindset and build a new and strong foundation for the world – one that integrates new sets of values. And this is the reason why I created the Generation C movement.”

“This grand opening dance recital together with Generation C is very special. First of all, by incorporating with Generation C, we are arousing public awareness of aesthetics, education of arts and to focus on themes such as nature and human beings. Plus, the kids have a chance to show to their parents and to the public what they have learned with us,” said Zheng.

Legros is a French and Cambodian international artist, who has always had a passion for drawing, but only truly discovered her artistic passion when she had to battle against early onset cancer. Spending her childhood in Phnom Penh with survivors of sexual exploitation, she was driven to change the world with her social work and fundraising events.

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 Phnom Penh & Exposition : « The Art of Sharing », solidarité et émotion au Musée Sosoro

19 January 2021

« The Art of Sharing – L’Art du Partage » est une exposition de peinture née de la collaboration entre S.E. Serey Chea et Adana Mam Legros avec pour ambition de mettre en avant les valeurs de partage et de compassion si nécessaires en ces temps difficiles.

Découverte et émotion

L’exposition sera ouverte au public le mardi 12 janvier 2021, une formidable occasion de (re) découvrir le Musée Preah Srey Içanavarman — Musée Sosoro — វរ្ម័ន ព្រះ ស្រី ឦសានវរ្ម័ន. Pour Blaise Kilian, co-directeur du musée, cette exposition permettra au public de découvrir ces deux artistes, mais aussi de mettre en avant cette partie ludique du musée que constitue l’ensemble jardin et salle d’exposition temporaire.

« Une société qui ne valorise pas ses personnes âgées nie ses racines et met en danger son avenir. » - Nelson Mandela.

Dans cet esprit de partage, un tiers des fonds levés par l’exposition ira à HelpAge Cambodia pour aider les personnes âgées, en particulier celles qui luttent contre la pauvreté. Pour en savoir plus sur la façon dont il est possible d’aider les personnes âgées les plus vulnérables en ces temps difficiles, visitez : http://www.helpagecambodia.org/

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"Art of Sharing" Charity Exhibition for NGO

19 sept 2021

(ភ្នំពេញ)៖ ពិព័រណ៍គំនូរ «សិល្បៈនៃការចែករំលែក» ត្រូវបានរៀបចំឡើងដោយសារមន្ទីរសេដ្ឋកិច្ច និងរូបិយវត្ថុ ព្រះស្រីឦសានវរ្ម័ន និងក្រោមគំនិតផ្ដួចផ្ដើមរបស់ លោកស្រី ជា សិរី ឧបការីទេសាភិបាល នៃធនាគារជាតិនៃកម្ពុជា និងជាវិចិត្រការិនីមួយរូប ដែលត្រូវបានរៀបចំឡើង ដើម្បីរៃអង្គាសថវិកាជួយដល់អង្គការចំនួន៣នៅកម្ពុជា ដែលធ្វើការលើបញ្ហាសង្គម និងសុខភាពផ្លូវចិត្ត។

ពិព័រណ៍គំនូរ «សិល្បៈនៃការចែករំលែក» នេះត្រូវបានរៀបចំជាលើកទី១ នៅថ្ងៃទី១០ ខែមករា ឆ្នាំ២០២១ និងអនុញ្ញាតឲ្យសាធារណជន ចូលទស្សនាដោយផ្ទាល់ និងឥតគិតថ្លៃ។ នេះក៏ជាលើកទី១ផងដែរ ដែលការតាំងពិព័រណ៍នៅកម្ពុជា ត្រូវបានរៀបចំជាការតាំងពិព័រណ៍ឌីជីថល 3D ដែលសាធារណជនអាចចូលមើលបាន តាមរយៈប្រព័ន្ធអ៊ីធើណេតដោយសេរី និងគ្រប់ទីកន្លែង។

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 Cancer survivor triumphs with inspired exhibit

 28 sept 2020

“When you’re 21 years old, you’re supposed to be starting life and then you’re confronted with your death.

“It was a very spiritual journey which taught me resilience, and how to be tough and patient. I started to meditate a lot, and that taught me about awareness, my ego and the impact I can potentially have on others. I started to draw at that moment,” she says. 

Legros was stuck in the hospital bed for two months and spent another six months recovering at home, unable to go out in public.

“I was pretty much alone for probably a year,” she says, and after her cancer treatment, she travelled to New York where her interest in art started to take shape.

 

“I gave myself six months to do an exhibition because I wanted to express myself and share with the world the lessons I’d learned,” she says.

In 2018, her dream came true and she hosted her first art exhibition.

Since then, the young talented artist has hosted about 10 exhibitions in galleries around the world, including Sydney, Paris, Brussels, Bangkok, Phnom Penh and Siem Reap.

“Through the art I’ve created, the speech, themes, philosophy . . . all of that, I hope, give a message. It’s like a wake-up call to the new generation about what’s happening around the world. We need to know our duty and role to protect nature,” she says.

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 Cambodian artists host ‘Complementarity’ exhibition

 23 sept 2020

Rosewood Phnom Penh has collaborated with the country’s most influential and up-and-coming artists to showcase some of Cambodia’s most exciting contemporary artworks.

The event saw the artists come together to send out a unified message of the importance of humanity and women’s empowerment in today’s world.

Speaking at the event, the communications manager of Rosewood Phnom Penh Manon Pauchet said: “Our Art Gallery is delighted to welcome the new exhibition “Complimentarity”, which will be showcased between September 9 and January 10.”Prominent guests including Minister of Culture and Fine Arts Phoeurng Sackona, French Ambassador to Cambodia Eva Nguyen Binh and director-general of the National Bank of Cambodia Chea Serey attended the event. Two Cambodia-based fashion designers, Eric Raisina and

The primary theme of “Complementarity,”, is what the artists describe as “the art of living together, “which aims to deliver a message of social harmony, empathy, compassion, ethics and responsibility.”

The artists explored 11 compelling themes, including human chaos, femininity and masculinity, violence in contrast, parenthood, empathy/compassion and vulnerability, all of which communicate their vision of a more empathetic, supportive, generous and caring world.

“The black and white, the yin and yang, all coexist in a state of equilibrium giving the right balance to the universe,” the artists explain.

 

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Cambodian artists host ‘Complementarity’ exhibition

22 sept 2020

Rosewood Phnom Penh’s Art Gallery played host on September 9 to a multidisciplinary exhibition featuring the works of Cambodian artists Adana Mam Legros and Tytaart. The “Complementarity” exhibition focuses on the importance of humanity and harmonious living in society. 

During the exhibition, Adana – a French-Cambodian woman who battled cancer and became an artist – also launched another project: Generation C Cambodia (with “C” referring to convivialisme – the art of living together).

Prominent guests including Minister of Culture and Fine Arts Phoeurng Sackona, French Ambassador to Cambodia Eva Nguyen Binh and director-general of the National Bank of Cambodia Chea Serey attended the event. Two Cambodia-based fashion designers, Eric Raisina and Romyda Keth, also showcased a collection of 10 exquisite dresses among the wonderful abstract paintings and artistic photographs. The exhibition is open to the public until January 10. Photos by Hean Rangsey 

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Nouvelle exposition « L’art du détachement » à la galerie Sra’Art

9 sept 2020

Artiste activiste, Adana a grandi au Cambodge puis étudié droit et sciences politiques en France avant de tomber gravement malade. Cet épisode malheureux qui est arrivé dans la vie de la jeune femme alors qu’elle n’avait que 21 ans lui a ouvert les yeux sur la vie et la mort, sur le fait que tout peut s’arrêter à n’importe quel moment et donc sur l’importance d’écouter ses émotions.

 

L'expérimentation des rêves de Adana Mam-Legros

« La plupart de mes oeuvres dévoilent une partie de moi dans laquelle j’explique  ce que j’ai vécu, j’explique ma confrontation à la vie et à la mort. Cette exposition représente pour moi le sens de la vie »

, explique la Franco-Cambodgienne pour qui « La vie c’est l’accomplissement des rêves et mon père m’a toujours dit qu’il ne fallait pas rêver petit ».

Pour les deux artistes, la maladie et les moments de vie difficiles ne doivent pas être ignorés ou cachés. Ils participent à la construction de l’individu.  C’est pourquoi, une petite partie de l’exposition est dédiée à la commémoration des gens passés qui ont marqués leur vie. « L’acceptation permet d’avancer » pour Roman. «  Dans la vie on prend des coups, il faut savoir les accepter pour avancer » assure Adana qui trouve de la beauté dans la résilience.

 

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“OUR CIVILISATION IS CONFRONTING A DESCENT TO CATASTROPHES”

8 sept 2020

Cambodian artists Adana Mam Legros and Tyta have put together an unusual show, pairing paintings with photography. The joint effort, “Complementarity”, derives from painter Adana’s social activism and photographer Tyta’s creative endeavors, both hoping to highlight the importance of social harmony. 

Wednesday’s opening at Rosewood Art Gallery will be a star-studded affair, with fashion designers Romyda Keth (Ambre) and Eric Raisina presenting capsule collections and performances by Laura Mam and DJ Marie Thach.What’s on Phnom Penh got a chance to quiz Adana and Tyta for a hint of what to expect at the show, what driving forces brought it to life and what brought them to art.

I left Cambodia after my baccalaureate to pursue law and political science studies in France.  My third year of law school was interrupted by the discovery of cancer. That period was a total transformation, revolution of thought, spirit and body. Re-questioning everything from the self to the world, to our society and our system.  

After my treatment I decided to go to New York to make my first exhibition. I wanted to close this long and difficult chapter of my life with art. In 2018, I inaugurated “My RenaiSsance’’ exhibition in Manhattan. It took me three more months, sailing across the Mediterranean with my father, to realise my true purpose. The pursuit of the dream to become an “art activist”.  

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#NoFilter: in conversation with artist activist Adana Mam Legros
18 Feb 2020

We got candid with the bold, talkative, strongly opinionated, and ever so talented Franco-Cambodian artist and activist, Adana Mam Legros.

Adana is a Bangkok-born and Cambodian-bred international artist, who always had a passion for drawing, but only truly discovered her artistic passion when she had to battle against early cancer. Coming out as a warrior from her severe physical and psychological suffering, Adana bounced back and touched our hearts with her artwork. Spending her childhood in Phnom Penh, Cambodia, with survivors of sexual exploitation, Adana was driven to change the world with her social work and fundraising events. She also travelled to Nice, France, to study law and political science to learn more about fighting against social injustices, but her destiny had something else in store for her. After battling a life-threatening disease with such strong spirit, meditation helped her overcome her loneliness and taught her resilience.

Adana’s art is a pure, raw manifestation of her suffering, and also a way to depict women empowerment. Her pictorial work stems from questioning, and from revolts, empathy, and consciousness, and acts as a medium to express self-awareness. After successfully organising her first exhibition in New York, Adana also exhibited in Sydney and Paris. Last week, we saw her in Bangkok with her latest works at the Alliance Française Bangkok for Galleries’ Night Bangkok, with her “The Meaning of Life” exhibition. Next, you can catch her at the Rosewood Phnom Penh for her upcoming exhibition

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Adana Legros in her own way
18 Feb 2020

24 years old Franco-Cambodian, I spent most of my life in Cambodia traveling around the world with my parents. I end-up in Law and Political Science University in France. During my studies my path took a different turn after falling ill. That disease transformed my soul and body and I abruptly became an artist, activist.

 

I remember, even if I was very young, the noise of shelling and mortars felling in our home in 1997. The sound of death traumatized me as my family was stuck in the coup and evacuated by the International Red Cross.

 

I understand how a child can be traumatized by war and gun powder. Those events initiate my sense of activism and the absolute necessity to fight for peace and protect children from adult’s madness, war and their consequences.

My parents in the mid 90’s opened a Cambodian NGO fighting sex slavery and human trafficking. In nine years, it became one of the most recognized NGO internationally. They expended in 9 countries. I grew up with girls and women from the center. They were like family to me. I gradually been sensitized to violence, rape, domestic violence, human trafficking, social perversion and decadence. 

 

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Adana Legros
Artist in Resilience


8 Novembre 2019

FRANCO-CAMBODIAN ARTIST AND ACTIVIST, ADANA MAM LEGROS IS THE DAUGHTER OF SOMALY MAM,
AN INTERNATIONAL ICON OF WOMEN’S RIGHTS and controversial personality ghting sexual slavery of children in Southeast Asia, and Pierre Legros, trained parasitologist and specialist in human tra cking.

Adana spent her childhood in Phnom Penh, the capital of Cambodia, with women and children survivors of sexual exploitation. The activism of her parents quickly rubs o on her education and pushes her to participate in her parents’ association at all levels: from social work to international travel for conferences. She plays a role in fundraising and accustoms herself to speech.

In 2012, Adana assists New York Times' journalist Nicolas Kristo in his article on violence against women in Cambodia. This environment makes her prematurely aware of the problems of the contemporary world. Revolted by social injustices and their worldwide evolution, she ies to Europe to start studying law and political science in Nice, in order to acquire the necessary tools to get into the ght.

This momentum, however, is abruptly interrupted by
the discovery of cancer two years ago, which imposes severe physical and psychological su ering. She then
uses meditation to confront her loneliness and becomes passionate in neuro-politics, neuroscience, genetics, psychology, philosophy and political science. According to her, this period allowed her to develop a great capacity for resilience and made a warrior out of her.

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Mode – Brussels Fashion Days : Eriya Miura, le talent cambodgien sur la scène européenne

20 OCTOBRE 2019

Cambodge MAG

Pour sa 8e édition, les Brussels Fashion Days – Jours de la Mode à Bruxelles, rendez-vous incontournable des créateurs en Belgique, a proposé un bel aperçu des tendances de la mode durant un weekend.  Cette dernière édition a rassemblé quelques milliers de visiteurs.

Le défilé du samedi 12 octobre 2019 fut l’occasion de découvrir les dernières créations de la Cambodgienne Eriya Miura. Pour ce nouvel opus, l’artiste a collaboré avec la danseuse classique Kaliane Tea et Adana Mam Legros pour la réalisation de sa collection Printemps / Été 2020 intitulée «Rachana».

« Née d’une passion pour les beaux-arts et le patrimoine culturel, cette collection a l’ambition de promouvoir les avancées en matière d’art et de mode dans les pays en développement tels que le Cambodge. Il s’agit aussi de mettre en avant le patrimoine culturel », déclare la créatrice.

Tradition et progrès

Inspirée d’éléments vestimentaires emblématiques des costumes du sud, du sud-est et de l’Asie centrale, cette collection est aussi une interprétation moderne de diverses silhouettes féminines asiatiques. Ces silhouettes sont  reliées par des symboles des vêtements nationaux, avec également une référence à la route maritime de la soie.  Ambition finale :  la vision d’une femme moderne, cosmopolite, à l’esprit libre, qui embrasse à la fois la tradition et le progrès.
 

Origines

Rachanā (sanscrit) est dérivé du mot racine, il peut aussi signifier organiser, préparer, inventer, planifier, former, créer, produire, produire, écrire, ou composer.

« Traité comme une combinaison précieuse, chaque pli, chaque drapé et chaque couche de tissu ont leur signification. Chaque couleur représente symboliquement un poème du folklore traditionnel et des danses classiques mettant en vedette des êtres célestes », raconte la styliste.

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នេះជាសំលៀកបំពាក់ដែលអ្នកច្នៃម៉ូតខ្មែរ រចនាយ៉ាងផ្ចិតផ្ចង់នាំយកទៅបង្ហាញ នៅក្នុងកម្មវិធីបង្ហាញម៉ូត Brussels Fashion days ប្រទេស បែលហ្ស៊ិក

October 17, 2019

Cambodge MAG

កាលពីពេលថ្មីៗនេះអ្នកច្នៃម៉ូតមកពីកម្ពុជា បាននាំយកសំលៀកបំពាក់ទៅបង្ហាញនៅក្នុងកម្មវិធីដើរម៉ូត Brussels Fashion days ប្រទេស បែលហ្ស៊ិក កាលពីរាត្រីថ្ងៃទី១២ ខែតុលា ឆ្នាំ២០១៩។ យោងតាមការបង្ហោះរបស់កូនស្រីអ្នកនាង ម៉ម សុម៉ាលី ឈ្មោះ Adana Mam Legros បានឲ្យដឹងថា រូបគំនូររបស់ខ្លួនត្រូវបានដាក់ក្នុងសម្លៀកបំពាក់ របស់អ្នកច្នៃម៉ូតខ្មែរ Eriya Miura នៅឯពិធីបុណ្យដ៏ធំមួយនៅព្រុចសែល ហើយម៉ូតសម្លៀកបំពាក់នីមួយៗនិយាយអំពីមរតកនិងអត្តសញ្ញាណខ្មែរ។

ដោយកញ្ញា Adana Mam Legros បានសរសេររៀបរាប់ថា៖ “គំនូររបស់ខ្ញុំគឺបានដេរនៅលើសំពត់នេះដោយសិល្បករ Eriya Miura និង Kaliane Tea នេះគឺជាការរចនារបស់ពួកគេ ពួកគេបាននាំវប្បធម៌របស់យើងទៅអឺរ៉ុប នៅក្នុងកម្មវិធីបង្ហាញម៉ូតធំបំផុតនៅលើពិភពលោក។

សូមជួយshare និង like ប្រសិនបើបង​ប្អូន​មានមោទនភាពនៃវប្បធម៌របស់ប្រទេសយើងនិងស្នាដៃដ៏ស្រស់ស្អាតរបស់វិចិត្រករ។ ខ្ញុំស្នើសុំឱ្យអ្នកយកព័ត៌មានជួយចែករំលែកព័ត៌មាននេះពីព្រោះយើងត្រូវជួយសិល្បករខ្មែរនៅក្នុងប្រទេសរបស់យើង និងនៅលើពិភពលោក។ កុំភ្លេចថាវប្បធម៌របស់យើងបង្កើតពីសិល្បៈ គំនូររបស់ខ្ញុំបោះពុម្ពនិងដេរនៅលើសំពត់ design របស់ Eriya Miura និង Kaliane Tea មានមោទនភាព!”៕ រូបភាព៖ Balazs Maar/Adana Mam Legros

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Arts – Dans l’atelier de :

Adana Legros Mam, l’art et la conscience
 

8 AOÛT 2019

Cambodge MAG

Jolie Franco-Cambodgienne revenue au pays il y a quelques mois, Adana Legros Mam est devenue artiste professionnelle par le hasard du destin. Dans son appartement coquet du Quai Sisowath, la jeune femme prépare un concert et une exposition de peintures et dessins.

Adana naît en Thaïlande d’une mère cambodgienne et d’un père français. Elle vivra tout sa scolarité au Cambodge avant de partir étudier en France après son baccalauréat. Après trois ans de droit qui ne la passionnent qu’à moitié, elle reviendra au Cambodge pour réaliser un film d’ONG.

‘’C’est à ce moment que je suis tombée gravement malade et j’ai dû repartir en France subir une chimiothérapie pendant six mois’’, explique Adana.

La jeune femme décidera ensuite d’arrêter le droit et de partir à New York, où elle se donne six mois pour préparer une exposition d’art. Puis, elle entreprend un long voyage en voilier de la France jusqu’en Afrique avant de rentrer dans son pays.

La passion

Si Adana commence à peindre depuis son plus jeune âge, elle commence à s’y atteler sérieusement à l’âge de 15 ans. ‘’J’ai acheté tout le matériel nécessaire pour dessiner et, quand je peignais et c’est toujours le cas, c’était ce que j’appellerai un « vomi psychologique ».’’, explique-t-elle en souriant.

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Journée Internationale des Femmes :

Belle célébration à la Chinese House
 

12 MARS 2019

Cambodge MAG

Elles étaient belles, talentueuses et inspirées. Ce lundi soir, dans les locaux du restaurant landmark Chinses House, des femmes, des amies, des artistes, avaient tenu à célébrer à leur façon la Journée Internationale des Femmes. Au programme de cette soirée pas tout-à-fait comme les autres, de la danse, des chansons et du live drawing.

En introduction de cette soirée, les artistes Belle Sodhachivy Chumvan et Sour Kim Seng proposaient une danse rythmée aux mélopées du groupe musical emmené par Carrie Herbert et Clara Schandler.

Intitulé ”She is in you” – Elle est en vous, l’événement proposait ensuite une série de chansons dans un esprit très serain et new age, toujours emmenée par Carrie Fisher et ses amies musiciennes

Enfin, une invité spéciale et pas des moindres, avec la talentueuse Adana Legros qui aura dessiné au pied des musiciennes tout le temps du concert et proposé ensuite au public d’interagir avec l’une de ses œuvres en y apposant son empreinte.

La salle était comble, parfois trop petite, pour cette célébration plutôt originale et marquée par un public tout-à-fait ravi de la performance originale et pleine de générosité des différentes artistes.

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Adana Legros Témoignage:


Le cancer m’a donné le temps, la solitude et une incroyable expérience.

Cambodge MAG

Contexte : Il y a environ deux ans, Adana Titi, jeune étudiante Franco-Cambodgienne réalise un court-métrage au Cambodge pour la fondation Together1heart. Elle m’avait alors demandé de lui louer du matériel et de l’assister pour le tournage. Tout se passe merveilleusement bien les premiers jours. Un matin, elle me demande de tourner à sa place. ”…Je ne me sens vraiment pas bien, je dois aller à l’hôpital faire des analyses…”.

A son retour, Adana explique calmement qu’elle est probablement atteinte d’un cancer. Consternation, puis le début d’une longue bataille contre cette maladie. Aujourd’hui, Adana est sauvée, elle s’est battue, elle témoigne. Entretien :

CM : La dernière fois que nous nous sommes vus, tu partais te faire soigner après avoir appris la mauvaise nouvelle…Racontes

Oui, suspicion de cancer, mon père m’appelle, il me prépare…il me dit que je vais entrer dans un tunnel, que cela va être long…Mais espoir, au fin fond de ce tunnel, il y a une lumière. Il faut juste être patiente et méditer. C’est ce que j’ai commencé à faire.

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Cambodge – Tournage :

Un Regard sur l’Innocence avec Adana

13 janviers  2017 25 mars 2019

Jeans DIY

Titre provisoire d’un court-métrage produit pour la fondation Solyna, le projet d’Adana devrait être finalisé en mai 2017 alors que les dernières images tournées à Phnom Penh et dans ses environs viennent d’être mises en boite. Adana est une métisse franco-khmère, étudiante en droit à Nice, qui a choisi de produire et réaliser l’histoire d’une jeune Cambodgienne de la campagne, victime de viol et d’une tentative de meurtre, et qui a pu être secourue in-extremis par sa mère et prise en charge ensuite par l’ONG Afesip.”…J’étudie le droit, mais j’adore être créative, la production et le montage sont deux disciplines que j’ai eu plaisir à découvrir. J’ai déjà réalisé quelques court-métrages pour le plaisir, mais c’est aujourd’hui mon premier projet vraiment professionnel…”

explique avec enthousiaste la jeune fille de 21 ans, qui a sauté dans un avion entre deux examens pour pouvoir tourner dans le pays.

Quant au sujet du film : ”…c’est un sujet que je connais bien car j’ai déjà participé à des actions promotionnelles avec l’Afesip, l’ONG créée par mes parents et toujours en activité avec un centre qui recueille de nombreuses victimes du trafic humain et aussi d’incidents isolés qui arrivent dans les campagnes, et qui sont plus fréquents qu’on ne le pense…”

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La Plume aux Lecteurs : Pourquoi j’aime le Cambodge…

25 NOVEMBRE 2016

Cambodge MAG

Cambodge Mag donne la plume à ses lecteurs sur le thème ”aimer le Cambodge”, le but étant de recueillir les impressions de ceux qui visitent régulièrement le Cambodge, qui y sont nés ou qui se sont installés durablement. Pour participer, il suffit de nous envoyer vos réponses (format Word ou message privé sur Facebook) à la liste des questions détaillée en fin de page et d’y joindre une photographie de vous. Aujourd’hui, rencontre avec Adana Legros…

Vivez-vous au Cambodge, depuis quand ? (Si vous ne vivez pas au Cambodge, y venez-vous souvent ?) 

Je suis née au Cambodge et y suis restée jusqu’à l’age de 18 ans. Je suis retourné en France après l’obtention de mon baccalauréat. Je retournes au moins une fois par an au Cambodge pour revoir ma famille. 

Quelle est votre activité professionnelle ?
Je suis actuellement une étudiante en deuxième années de droit à la Faculté de Nice Sophia Antipolis.

Pour quelles raisons aimez-vous le Cambodge ?

J’ai grandi au Cambodge donc je me suis attachée a ce beau pays mais, aussi,  le Cambodge est séduisant de par son histoire, par sa culturelle mystérieuses. J’aime la  gentillesse des gens qui savent profiter du moment présent. 

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